A modular kit providing high-level sound generation, processing and performance tools for students of Music 264 at Harvard University.
The best way to install 264 Tools and make sure you always have the latest version, is to use Nathanaël Lécaudé’s Max Package Downloader:
-
Download and uncompress this ZIP file to your Max Packages directory. You can find this under
~/Documents/Max/Packages
for Max 6 or~/Documents/Max 7/Packages
for Max 7. If you use both Max 6 and 7, install it for both. -
Open (or restart) Max.
Once you have Max Package Downloader installed you can install or update 264 Tools by following these steps:
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In Max’s ‘Extras’ menu, select ‘Package Downloader’.
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Select ‘264 Tools’ from the Package Downloader’s drop-down menu.
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The information displayed will let you know the latest available version — ‘Remote version’ — as well as the version you have installed — ‘Local version’.
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Click ‘Download’, to install/update 264 Tools.
Alternatively, download the latest release directly to your Max packages folder and repeat to update manually.
The toolkit currently includes the following modules, which should be loaded in a bpatcher
.
264.delay~
— a single, flexible delay line264.sfplay~
— a simple sound file player264.filter~
— a highpass, lowpass or bandpass filter264.grains~
— a live audio granulation module264.envelope~
— an envelope follower compatible with other modules264.ringmod~
— modulate a signal with a single frequency oscillator264.reverb~
— a basic reverb module264.transpose~
— a pitch shifter with 3 octave range above & below source264.pitchtrack~
— a fundamental frequency tracker
264.midi-learn
— a utility permitting quick linking of inputs with a MIDI controller264.tog
— a MIDI-ready toggle switch264.go!
— a MIDI-ready button264.midi-presets
— manage mapping presets between your MIDI controller and264.midi-learn
objects
These modules have been tested with Max 6 and 7. They will not work with Max/MSP 5 or lower. Please report bugs under the issues tab above.
264.grains~
relies on the munger~
granulation external, which has a substantial ancestry including work by Ivica Ico Bukvic, Ji-Sun Kim, Dan Trueman, and R. Luke DuBois, most recently for percolate.
264.midi-presets
and 264.param-presets
rely on Patrick Delges’s filesys
Java class to manage file locations.
The 264.reverb~
core is heavily based on Randy Jones’s yafr2
example.
264.pitchtrack~
is built around the sigmund~
sinusoidal analysis and pitch tracking external, originally developed by Miller Puckette, ported to Max/MSP by Miller Puckette, Cort Lippe & Ted Apel. Included here is Volker Böhm’s 64-bit version.
This software is free to use, modify, and redistribute under a GNU General Public License.